Analysis of Tagore's The Home and the World as Socio-political Novel : Bimala- Nikhilesh- Sandip Tangle
Rabindranath Tagore’s Poetry in English: Evaluation and Controversy in Reading Gitanjali (Song Offerings)
To the siding-shed,
And lined the train with faces grimly gay.”
English Teaching Objectives for the First Language (L1) and Second Language (L2): General Concept of Text Book
Walter Pater as a Literary Critic -an innovator in aesthetics who celebrated the pleasurable effects of art on the viewer or reader
There was a group of dramatists writing plays for the London theater manager Philip Henslowe. The group included many gifted playwrights, among them Thomas Dekker, John Marston, and Thomas Heywood, with each of whom Webster collaborated occasionally. John Webster 's genius as a writer was first fully revealed in his great tragedies The White Devil, produced in 1612, and The Duchess of Malfi, staged about 1614. Both plays depict a world of extravagant passions, dark intrigue, and fratricidal violence. Both plays ensured Webster's long-lasting critical acclaim and both are still produced. Despite their melodramatic themes, Webster's plays are redeemed by his soaring poetic dialogue and his grasp of human psychology.
Clara knows that Obi's parents will never accept her as a daughter-in-law, even though they are Christians and should, theoretically, disagree with a tradition like this. However, Clara seems to lack the disdain Obi has for traditional culture. Every fault Obi has, Clara counter-balances. Clara's parents are Christians, too, but that hasn't changed their status as osus or the fact that they are outcasts, even in the church. Clara keeps trying to break up with Obi because of this fact, and Obi keeps stubbornly refusing to be broken up with, the relationship's demise is clear, at least to her. Clara understands what Obi isn't saying – that his parents will never accept their relationship. She breaks up with him. It was, however, discovered that she's pregnant. At the abortion doctor's office, the doctor asks Obi why he doesn't marry Clara. She's just sorry, in the end, that she didn't do something about it before she ended up pregnant. That is what makes her bitter. Clara says she has no interest in marrying Obi. Clara's abortion turns septic and she is hospitalized. Though Clara was educated in England, and probably wonders about the justice of her taboo status, she never voices those thoughts aloud. Instead, it's clear that she understands how deeply these traditions run. Clara sees the end is near. Achebe’s account of Clara makes a penchant voice against such practices of osu but at the same time trough deep contemplative moods.
An English Teacher; M. A.(English) , D. Ed., B. Ed., UGC- NET Qualified
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